Jan Mot

Mario Garcia Torres

Born in 1975 in Mexico
Lives in Mexico City

Education
BFA Universidad de Monterrey, 1998
MFA (Candidate) California Institute of the Arts, 2005

Awards
2003-2005 Fullbright Grantee
2003-2005 La Colección Jumex Grantee
2004 PAEE – FONCA/CONACULTA Grantee
2007 Cartier Award, Frieze Art Fair, London
2009 5x5 Castelló 09. Premi Internacional d'Art Contemporani Diputació de Castelló

Public collections
49 Nord 6 Est – Frac Lorraine, Metz (FR)
Colección FEMSA, Monterrey (MX)
FRAC – Franche-Comté, Besançon (FR)
Centre national des arts plastiques, Paris (FR)
Fundação Serralves, Porto (PT)
Kröller-Müller Museum, Otterlo (NL)
The Morris and Helen Belkin Art Gallery, Vancouver, B.C. (CA)
Museo de Arte Carrillo Gil, Mexico City (MX)
Museo de Arte Contemporáneo de Castilla y León, León (ES)
Museé de la Ville de Paris, Paris (FR)
Museo Nacional Centro de Arte Reina Sofia, Madrid (ES)
Museé National d’Art Moderne, Centre Georges Pompidou, Paris (FR)
Museo Universitario de Ciencias y Artes, UNAM, Mexico City (MX)
Solomon R. Guggenheim Museum, New York (US)
Stedelijk Museum, Amsterdam (NL)
Tate Modern, London (UK)
Walker Art Center, Minneapolis (US)
Museum of Modern Art, New York, (US)
Kunstmuseum Liechtenstein (LI)
Hammer Museum, Los Angeles (US)

Solo exhibitions
2020                       
Flowers and Meteors, neugerriemschneider, Berlin
Mario Garcia Torres. Solo, Museo Jumex, Mexico City (online)
Pinturas Recientes, José Garcia, Mexico City

2019
Illusion Brought Me Here, Wiels, Brussels
Five Feet High and Rising, Kunstenfestivaldesarts, Brussels (lecture)
Falling Together in Time, Taka Ishii Gallery, Tokyo
One Minute to Act a Title: Kim Jong-un’s Favorite Movies, Jan Mot, Brussels
The Way They Looked At Each Other, Copenhagen Business School, Copenhagen

2018
Illusion Brought Me Here, Walker Art Center, Minneapolis (US)
Not To Belong To Themselves, neugerriemschneider, Berlin

2017            
The Way They Looked at Each Other, Jan Mot, Brussels
When Time Losts Its Patience, Franco Noero Gallery, Torino (IT)
LA FIESTA FUE AYER Y NADIE RECUERDA NADA, Archivo Diseño y Arquitectura, Mexico City

2016           
An Arrival Tale, Thyssen-Bornemisza Art Contemporary (TBA21), Vienna
Walking Together, Museo Tamayo, Mexico City
No doubt, naturally drawn, non-determined nodes, normally detected neutral density. Neal Diamond nose downed near dark. Normal delivery notably drove non-directional navigational displays into North Dakota. And not documented nominal diameter neatly diagrammed non-dated next degree new directions, Jan Mot, Brussels

2015
The Strange Things My Eyes See, neugerriemschneider, Berlin
Sounds Like Isolation to Me, Proyecto Siqueiros - La Tallera, Cuernavaca (MX)
Nobody walks away from true collaboration triumphant or un-bruised (with Ryan Gander), Proyectos Monclova, Mexico City
Modern Art Museum of Fort Worth, Fort Worth (US)

2014           
Pérez Art Museum, Miami (US)
Museo Vostell Malpartida, Malpartida de Cáceres (ES)
Other Days, Proyectos Monclova, Mexico City
Hammer Projects: Mario Garcia Torres, The Hammer Museum at UCLA, Los Angeles (US)
Galeria Elba Benitez, Madrid

2013                       
Other Days, Proyectos Monclova, Mexico City
Until it Makes Sense, Project Arts Centre, Dublin
The Boetti Lesson, MADRE, Naples (IT)
Museo Vostell Malpartida, Malpartida de Cáceres (ES)
Other Days, Proyectos Monclova, Mexico City

2012                        
Telltale of a Sunday Practice, Taka Ishii Gallery, Tokyo

2011
September Piece, Jan Mot, Brussels
Material Witness, Mario Garcia Torres, Konradt Wendt, Belkin Art Gallery, Vancouver (CA)

2010
Directions: Cyprien Gaillard and Mario Garcia Torres, Hirschhorn Museum Museum, Washington
What Doesn’t Kill You Makes You Stronger, FRAC Franche-Comté, Besançon (FR)
Have You Ever Seen the Snow?, Museo Reina Sofia, Madrid
I Will Be With You Shortly, Peep-Hole, Milan (IT)

2009
It’s Embarrasing, but for Some Time Now I Only Have Had Title Ideas in English, Espai 13, Fundacio Joan Miro, Barcelona
Unspoken Dailies, Taka Ishii Gallery, Tokyo
The Exhibition Formerly Known as Passengers 2.11: Mario Garcia Torres, 9 at Leo Castelli, Wattis Institute, San Francisco (US)
Mario Garcia Torres. All That Color is Making Me Blind, Jan Mot, Brussels
Mario Garcia Torres, MATRIX, Berkeley Art Museum and Pacific Film Archive, Berkeley (US)
Il Aurait Bien Pu Le Promettre Aussi, Jeu de Paume, Paris

2008
Early Color Video Tapes, Proyectos Monclova, Mexico City
Some Stories That Went Missing, Others That I Belong to, and a Few Studio Works, Kunsthalle, Zurich (CH)
Mario Garcia Torres, White Cube/Jay Jopling, London
Pocket Scratching, Sora Gallery, Tokyo

2007
Mario Garcia Torres – A Brief History of Jimmie Johnson’s Legacy, Stedelijk Museum CS, Amsterdam
What Doesn’t Kill You Makes You Stronger, The Museum of Modern Art, Syros (GR)
Mario Garcia Torres, Galeria Elba Benitez, Madrid
A Solo Exhibition, Kadist Art Foundation, Paris
I Am Not a Flopper. A One-Act Monologue by Allen Smithee, Cartier Award, Frieze Art Fair, London

2006
Mario Garcia Torres, Galeria de Arte Mexicano, Mexico City
Te Invito A Mi Mundo, Jan Mot, Brussels

2004
Shot of Grace with Alighiero Boetti Haircut Style and Other Works, Jan Mot, Brussels

2003                       
Contradictory Illicit Registry, Muestra Art Fair, Mexico City
I Also Asked Myself..., Galería de Arte Mexicano, Mexico City
The Net.Art Certification Office, Centro de la Imagen, Mexico City

2002
Mario Garcia´s Opening Has Been Postponed, Arte In-Situ, La Torre de los Vientos, Mexico City

Group exhibitions

2020
À toi appartient le regard et la liaison infinite entre les choses, Musée du quai Branly – Jacques Chirac, Paris
Melbourne Photo2020 Festival, Margaret Lawrence Gallery, Melbourne (AUS)
Modes of Encounters: An Inquiry, Times Museum, Guangzhou (CHN)
Frieze Projects 2020, Frieze Los Angeles, Paramount Pictures Studios, Los Angeles (US)
Out of Order, Neues Museum Nürnberg, Nürnberg (DE)

2019  
Ancient History of the Distant Future, The Pennsylvania Academy of Fine Arts, Philadelphia (US)
Demostraciones prácticas, Universidad Torcuato Di Tella, Buenos Aires (performance)
Et le desert avance, les collections du Musée des beaux-arts et d’archéologie à contretemps, Musée des beaux-arts et d’archéologie, Besançon (FR)
Trois fois rien, Centre Nacional des Arts Plastiques au CND, Pantin (FR)
Beyond Performance, Palazzo Strozzi, Florence (IT)
An exhibition with an audio script by Sarah Demeuse and Wendy Tronrud, as well as a soundtrack by Mario García Torres in collaboration with Sol Oosel, Witte de With, Rotterdam (NL)
Coleção Teixeira de Freitas Collection, Santander Sala de Arte, Boadilla del Monte, Madrid   
Portadores de Sentido-Arte contemporaneo en la Collection Patricia Phelps de Cisneros, Museo Amparo, Puebla (MX)
Alighiero e Boetti e Mario e Garcia Torres, Travesia Cuatro, Mexico City
Eduardo Costa & Friends, Cosmocosa, Buenos Aires

2018            
Multitudinous Seas, Fondation Hippocrène, Paris
To See Time Go By, Galeria Fonte, Inhotim Institute, Brumadinho (BR)
All Our Secrets, Center for Contemporary Arts, Celje (SI)
For Good, The Good Room, Munich (DE)
Hello World. Revising a Collection, Hamburger Bahnhof, Berlin
γεωμετριες, The Agricultural University of Athens, Athens
n.c.n.d.n.t., neugerriemschneider, Berlin
Textile as Art: Antonio Ratti Entrepreneur and Patron, Museo Nazionale Romano, Rome
A gaze into architecture, Archi-Depot Museum, Tokyo
En Busca de un Muro, Museo Tamayo, Mexico City
Taguchi Collection of 21st Century Art: From Andy Warhol to Yoshitomo Nara, Hiratsuka Museum of Art, Kanagawa (JP)
ARABESQUES. Antonio Ratti, il tessuto come arte, Museo Nazionale Romano, Terme di Diocleziano, Roma
The Reservoir of Modernism, Kunstmuseum Liechtenstein, Liechtenstein (LI)
The Matter of Photography: Experiments in Latin American Art since the 1960s, Cantor Arts Centre at Stanford University, Stanford (US)
Stories of Almost Everyone, Hammer Museum, Los Angeles (US)

2017
And Then There Were None, Meyer Riegger, Karlsruhe (DE)
The Classroom, Artissima, Turin (IT)
Take Me (I’m Yours), Pirelli Hangar Bicocca, Milan
Poethical Wager, MOCA in Cleveland (US)
Il tessuto come arte: Antonio Ratti imprenditore e mecenate, The Foundation of Palazzo Te in Mantua (IT), in collaboration with   Fondazione Antonio Ratti
Pacific Standard Time LA/LA Video Art in Latin America, LAXART, Los Angeles (US)
Invitation Without Exhibition, Martine Aboucaya, Paris
289 148, Silesian Museum, Katowice (PL)
Phenomenon (2), Anafi (GR)
Colour = Reality. B + W = ABSTRACTION (except for zebras), Fondazione Giorgio Cini, Venice (IT)
Mario Garcia Torres, Cinematek, Brussels (screening)
Sharjah Biennial 13, Sharjah (AE)                                 
Reverberations: Art and Sound in the MUAC collections, UNAM, Mexico City
The Last Art College: Nova Scotia College of Art and Design, 1968-1978, Southern Alberta Art Gallery in Lethbridge, Alberta (CA)
WAGSTAFF, Mostyn, Llandudno (GB)
La fiesta fue ayer (y nadie recuerda nada), Archivo, Mexico City
Du verbe à la communication. La collection de Josée et Marc Gensollen, Carré d'Art, Musée d'art contemporain, Nîmes (FR)
OLHO, Palazzo Grassi, Venice (IT), 19/01 (screening)

2016                       
Completely Something Else, Point Centre for Contemporary Art, Nicosia (CY)
+52. Recent landscapes, Fundación Calosa, Guanajuato (MX)
About Art, Trondheim kunstmuseum, Trondheim (NO)
Moved, Taka Ishii Gallery, Tokyo
Hinc Sunt Leones (here are lions), MANIFESTO-espacio, Guatemala City
Das Loch, Künstlerhaus Bremen, Bremen (DE)
Night in the Museum. An Exhibition from the Arts Council Collection curated by Ryan Gander, Longside Gallery, Yorkshire Sculpture Park, Wakefield (GB)
Gabriel Lester Unresolved Extravaganza, de Appel arts centre, Amsterdam
Correspondances. Un dialogue des oeuvres du frac et des musées municipaux d’Arbois, Musée d’art Hôtel Sarret de Grozon, Musée de la vigne et du vin du Jura, Arbois (FR)
Manifesta 11, Zurich (CH)
Atopia: Migration, Heritage and Placelessness, Museo de Arte Moderno de Bogotá, Bogotá
Night in the Museum, Longside Gallery, Yorkshire Sculpture Park, Wakefield (UK)
neugerriemschneider (curated by Tobias Rehberg), Berlin
A-Z. The Marzona Collection, Hamburger Bahnhof - Museum für Gegenwart, Berlin
Fade in: Int. Art Gallery - Day, Swiss Institute, New York City

2015                       
War II - History Series, Mostyn, Llandudno (UK)
Seth Siegelaub. Beyond Conceptual Art, Stedelijk Museum, Amsterdam
Duh? Art & Stupidity, Focal Point Gallery, Essex (UK)
by boat (farewell), joségarcia, mx, Mexico City
Where The Day Begins, LaM - Lille Métropole Musée d'art moderne, d'art contemporain et d'art brut, Villeneuve d’Ascq (FR)
The violent No!, Fiorucci Art Trust / 14th Istanbul Biennial, Kastellorizo (GR)
Expeditie land art, Kunsthal KAdE, Amersfoort (NL)
Collecting for Tomorrow: New Works at Museion, MUSEION Museum für moderne und zeitgenössische Kunst, Bolzano (IT)
“Poor Art” – Rich Legacy, The Museum of Contemporary Art, Oslo
Panel discussion, The Getty Center, Los Angeles (US)

2014
A situation in which an argument can be discussed. With works by Mario Garcia Torres, Robert Morris and Philippe Thomas, Jan Mot, Brussels
La disparition des lucioles, Collection Lambert, Avignon (FR)
Under The Same Sun. Art From Latin America Today, Guggenheim UBS MAP Global Art Initiative, Solomon R. Guggenheim Museum, New York City (US)
New Ways of Doing Nothing, Kunsthalle Wien, Vienna
Que coisa é? Uma conversa/ A Conversation, Pivô, Sao Paulo (BR)
8th Berlin Biennale, Berlin           
The Invisible Hand. Curating as Gesture, 2nd CAFAM Biennale, Beijing
Le Nouveau festival, Centre Pompidou, Paris

2013           
Ich bin eine andere Welt. Künstlerische Autor_innenschaft zwischen Desubjektivierung und Rekanonisierung, Academy of Fine Art, Vienna
A Thousand Years of Nonlinear History, Centre Pompidou, Paris, 13/11 (screening)
Chambres de luxe, Kunstmuseum Thun, Thun (CH)
9a Bienal do Mercosul, Porto Alegre (BR)
Un escalier d'eau, Palais de Tokyo, Paris
The Floating Admiral, Palais de Tokyo, Paris
Paisaje 1969-2013. Revision de un genero, Museo del Palacio de Bellas Artes, Mexico City
Paint it Black, Frac Île-de-France / Le Plateau, Paris
The Causes of Things, Centrale for Contemporary Art, Brussels
Festival Bo:m, National Theater of Korea, Pan Theater, Seoul (Have you ever seen the snow, screening)
Reel Artists Film Festival, Toronto (CA) (Tea, screening)
Des mondes possibles, FRAC franche-comté, Besançon (FR)
Chambres de luxe. 
Artists as hoteliers and guest, Kunstmuseum Thun, Thun (CH)

2012                       
dOCUMENTA13
, Kassel (DE)
A Corral around Your Idea, Jan Mot, Brussels
Dallas Biennale, Dallas (US)
An Incomplete History of Incomplete Works of Art, Francesca Minini, Milan (IT)
When Attitudes Became Form Become Attitudes, CCA Wattis, San Francisco (US)

2011
The Sweet Burnt Smell of History. 8th Panama Art Biennial, Panama
Paysages avec objets absents, Fri Art, Centre d’art de Fribourg (CH)
Jan Mot, Art 42 Basel, Basel (CH)
The Anxiety of Photography, Aspen Art Museum, Aspen (US)
What happened to the other dollar?, Proyectos Monclova, Mexico City
Five Easy Pieces, Galleria Franco Noero, Torino (IT)
Anti-Photography, Focal Point Gallery and Beecroft Art Gallery, Southend-on-Sea (UK)
Windflower. Perceptions of nature, Kröller-Müller Museum, Otterlo (NL)

2010
Prospective XXIe siècle, FRAC Ile-de-France Le Plateau, Paris
There is Always a Cup of Sea to Sail In, the 29th Sao Paulo Biennial, Sao Paulo (BR)
Watchmen, Liars, Dreamers (Erudition concrete 3), FRAC Ile de France - Le Plateau, Paris
Taipei Biennial 2010, Taipei Fine Arts Museum, Taipei
Taking Place, The Temporary Stedelijk, Amsterdam
Video XXII. Colección Lemaître, Centro Fundación Telefónica, Lima
Art Unlimited, Art 41 Basel, Basel (CH)
By June 11 We Will Have Installed Some Works by Mario Garcia Torres and Sharon Lockhart That We Would Like To Share With You and Talk to You About, Jan Mot, Brussels
In Lieu of Unity, Ballroom, Marfa (US)
Incidents of Travel in Central America, Chiapas, Yucatan and Other Places…, Centro Cultural de España en Guatemala, Guatemala City
Model Kits, Thinking Latin America from the MUSAC Collection, MUSAC, León (ES)
Chefs d’œuvre?, Centre Pompidou, Metz (FR)
A L’ombre d’un doute, FRAC Lorraine, Metz (FR)
Lost and Found, neugerriemschneider, Berlin
Throwing Three Balls in the Air to get a Straight Line, Malmö Konsthall, Malmö (SE)
Seconde Main, Musée d’art moderne de la ville de Paris
Gallery, Galerie, Galleria, Norma Mangione Gallery, Torino (IT)
R for Replicant, CCA Wattis Institute for Contemporary Arts, San Francisco (US)

2009
Registro 02, Museo de Arte Contemporaneo de Monterrey (MX)
Le sort probable de l’homme qui avait avalé le fantôme, Conciergerie, Paris
Vies imaginaires, Salle Noire, Musée d’art Moderne de la ville de Paris, Paris
Pittoresk – Neue Perspektiven auf das Landschaftsbild, Museum Marta, Herford (DE)
Sculpture of the Space Age, David Roberts Foundation, London
Asking Not Telling, Video Art: Replay, ICA University Of Pennsylvania, Philadelphia (US)
Desiring Necessities, John Hansard Gallery, Southampton (UK)
Pierre Bismuth, Mario Garcia Torres, Annette Kelm, Deimantas Narkevicius, Jan Mot, Brussels
Jan Mot, Art 40 Basel, Basel (CH)
Usages du document, Centre Culturel Suisse, Paris
Beyond The Picturesque, SMAK, Ghent (BE)
Ceramica Suro, Dialogo y Produccion, Sala Jesus Gallardo, Leo (MX)
Collected Things Connected, Haubrokshows, Berlin
Group Show, Jack Hanley Gallery, New York
Audio, Video, Disco, Kunsthalle Zürich, Zürich (CH)
Paper Exhibition, Artists Space, New York

2008
Recursos incontrolables y otros desplazamientos naturals, MUAC, Mexico City
For The First And The Second Time, CAC, Vilnius
Image en Cuestión, Salón Nacionál de Artistas, Cali (CO)
Curator Curator #2, HISK, Ghent (BE)
This is Not a void, Galeria Luisa Strina, Sao Paulo (BR)
Recent Acquisitions, Nature, Space and Time, Kröller-Müller Museum, Otterlo (NL)
Museum as Medium, Koldo Mitxelena, San Sebastian (ES)
Time Crevasse, The 3rd Yokohama Triennale, Yokohama (JP)
All The Best, Gallery One One One, London
History’s Faint Smell of Burning, The 8th Panama Biennial, Museo de Arte Contemporáneo, Panama City
An Unruly History of the Readymade, Jumex Collection, Ecatepec de Morelos (MX)
The Perception Of Ideas leads To New Ideas, Kunstverein für die Rheinlande und Westfalen, Düsseldorf (DE)
One Of These Things Is Not Like The Other Things, Unosunove Arte Contemporane, Rome
Slow Glass, Lisa Cooley Gallery, New York
Museum as Medium, MARCO, Vigo (ES)
Jan Mot, Art 39 Basel, Basel (CH)
The Artist Is a Mysterious Entertainer, De Appel, Amsterdam
Huis Clos, Proyectos Monclova, Mexico City
The Store, Tulips & Roses, Vilnius
FEMACO 2008, Centro Banamex, Mexico City
Still, La Planta Arte Contemporaneo, Guadalajara (MX)
I Desired What You Were, I Need What You Are, Maze Gallery, Torino (IT)
Martian Museum of Terrestrial Art, Barbican Center, London
Time Pieces, Jan Mot, Brussels
You & Me, Sometimes…, Lehmann Maupin, New York
Nouvelles du mont analogue, Musée d’Art Contemporain, Rochechouart (FR)
Detras del Telon, MALBA, Buenos Aires
Other Than Yourself – An Investigation Between Inner and Outer Space, T-B A21, Vienna
I Am Your Private Dancer, Cultuurcentrum Strombeek-Bever (BE)

2007
Pratiques du (non)visible: en avoir le coeur (corps) net, FRAC Lorraine, Metz (FR)
Play Back Art Clip Video, ARC / Musée d’Art Moderne de la Ville de Paris, Paris
In the Stream of Life, Bétonsalon, Paris
Le Truc, Project Arts Center, Dublin
Uneasy Angel – Imagine Los Angeles, Monika Sprüth - Philomena Magers, Munich (DE)
Accords Excentriques, B.P.S.22 Espace de Création Contemporaine, Charleroi (BE)
For Sale, Cristina Guerra Contemporary Art, Lisboa
Think with the Senses - Feel with the Mind. Art in the Present Tense, 52nd International Art Exhibition, La Biennale di Venezia, Venice (IT)
Disco Coppertone, Locus Athens, Piraeus (GR)
Overtake. The Reinterpretation of Modern Art, Lewis Glucksman Gallery, University College, Cork (IE)
Otra de Vaqueros, BAC – Bâtiment d’Art Contemporaine, Geneva (CH)
Jan Mot, Art 38 Basel, Basel (CH)
The Backroom, Kadist Art Foundation, Paris
The Droste Effect, Esther Schipper, Berlin
Learn to Read, Level 2 Gallery, Tate Modern, London
Escultura Social: A New Generation of Art from Mexico City, Museum of Contemporary Art, Chicago (US)
How Soon is Now?, Fundacion Luis Seoane, A Coruña (ES)
UBS Openings: Saturday Live. Actions and Interrumptions, Tate Modern, London
Little Did He Know, Casa-Estudio Luis Barraga, Mexico City
Sublime Objets/ Frac du Grand Est. Collections sans Frontières, Musée National d’Art Contemporain – NMAC, Bucarest
Whenever it Starts it Is the Right Time / Strategies for Discontinuous Future, Frankfurter Kunstverein, Frankfurt (DE)
Dématérialisation, La Box, Bourges (FR)
Art in the New Field of Visibility / The Shadow Cabinet: ‘Distorted Fabric’, De Appel, Amsterdam
Some Time Waiting, Kadist Art Foundation, Paris
May the Twelfth, Store Gallery, London
Elephant Cementery, Artists Space, New York
Commitment, Cultuurcentrum, Strombeek and De Garage, Mechelen (BE)
Uncertain States of America, Moscow Biennial, Moscow
Saturday Live Actions and Interruptions, Tate Modern, London
Otra de Vaqueros, Laboratorio Arte Alameda, Mexico City
A Night in the Museum or What Betty Bop Saw, Reina Sofia, Madrid
The Last Piece by John Fare, gb agency, Paris

2006
Le Spectre des Armateures, Glassbox, Paris
No Negative, Objectif_Exhibitions, Antwerp (BE)
Bunker O No Bunker, CEDIM, Monterrey and Galería Ramis Barquet, Monterrey (MX)
Neo-Con, Contemporary Returns to Conceptual Art, The British School at Rome, Rome
Neo-Con. Contemporary Returns to Conceptual Art, Apex Art, New York
Tenemos el Duchamp Perdido... /We Have The Lost Duchamp..., Galeria de Arte Mexicano, Mexico City
Some… Time… Waiting…, www.sometimewaiting.co.uk
Une Vision du Monde. La Collection Vidéo de Jean-Conrad et Isabelle Lemaître, La Maison Rouge, Fondation Antoine de Galbert, Paris
The Galleries Show, Extra City, Antwerp (BE)
Jan Mot, Art 37 Basel, Basel (CH)
A Pace In Time, Tobin Building, San Antonio (US)

2005
El Norte, MUCA, Mexico City
Angelo, Mai!, Decorated Church of San Romano, Rome
Jan Mot, Frieze Art Fair, London
Anima-Dis/Appearance, Fri-Art, Kunsthalle Freiburg (DE)
Black Market Worlds, The 9th Baltic Triennial of International Art, CAC, Vilnius
Today is Just a Copy of Yesterday, Jan Mot, Brussels
Some Push, Some Hold and Some Don’t Even Know How to Take a Picture, Ravenstein Galleries, Jan Mot, Brussels
I Still Believe in Miracles. Dessins sans Papier, Musée d’ Art Moderne de la Ville de Paris / ARC at Couvent des Cordeliers, Paris
Misunderstanding, Galeria de Arte Mexicano, Mexico City
The Fragile Show, Analix Forever, Geneva (CH)
Dataspace, Centro Cultural Conde Duque, Madrid
Tracce di un seminario, Viafarini / Careof, Milan (IT)
Art in General, New York
Shipping and Receiving, Armory Center for the Arts, Los Angeles (US)
Supersonic, LA Design Center, Los Angeles (US)
Life Is Habit, Stenersen Museum, Oslo
Misunderstandings, Blow de la Barra, London

2004
What Did You Expect?, Jan Mot, Brussels
Off the Record / Sound, ARC Museé d’art Moderne de la Ville de Paris / Couvent des Cordeliers, Paris
How to Learn to Love The Bomb And Stop Worrying, Central de Arte, Guadalajara, Mexico Cit

2003                       
24/7, CAC, Vilnius
How to Learn to Love the Bomb and Stop Worrying, Cámara Nacional para la Industria Artística (National Chamber for the Artistic Industries), Mexico City
In the Absence of Recombination, Bronx River Arts Center, New York

2002                       
The Artworld’s New Darling, Curaduría Express, Colima 244, Mexico
Zebra Crossing Haus der Kultur der Welt, Berlin
Pictures of you, Americas Society, New York 
Coartadas / Alibis, Centre Culturel du Mexique, Paris and Witte de With, Rotterdam (cat.) (NL)

2001
Do it / Hazlo, Museo de Arte Carrillo Gil, Mexico City
Sans valeur comerciale, Centre Culturel du Mexique, Paris
Salón Bancomer, Museo de Arte Moderno, Mexico City

2000
International Art Fair for $7,650 USD, Galería La B.F.15, Frankfurt (DE)
Frankfurt Art Fair, LaMesa / Galeria La B.F.15, Frankfurt (DE)