Current and upcoming
27/11 - ongoing
Communicating vessels. Collection 1881-2021 - Exodus and Communal Life
Museo Nacional Centro de Arte Reina Sofía, Madrid
Nouvelle exposition des collections
Mrac Occitanie / Pyrénées-Méditerranée, Sérignan (FR)
Museum Dhondt-Dhaenens, Deurle (BE)
Part 1: Asparagus harvest
Jan Mot, Brussels
FLUXUS SEX TIES / Hier spielt die Musik
Nassauischer Kunstverein Wiesbaden, Wiesbaden (DE)
What is so terrible about craft?
Kunstverein München, Munich (DE)
Turner Prize 2017 (shortlist)
Ferens Art Gallery, Hull (UK)
(Photo: David Levene)
at Documenta 13, Kassel (DE)
Jan Mot's booth at Art Basel (CH) with works by Francis Alÿs, Pierre Bismuth, stanley brouwn, Andrea Büttner, Mario Garcia Torres, Joachim Koester, David Lamelas, readymades belong to everyone®, Vonna-Michell and Ian Wilson (photo: Studio Shapiro).
Jan Mot participates in BXL x EMERGENT, presenting work by Francis Alÿs, Andrea Büttner, Manon de Boer and Mario Garcia Torres.
BXL x EMERGENT, which opens this weekend (08-09/05, 2-6 pm), is a collaboration between 10 Brussels galleries, presenting work at Emergent in Veurne. The project creates an opportunity for a live encounter between art, public and gallerists who will be personally and safely welcoming visitors during the opening weekend. The exhibition will be open on Saturdays and Sundays until 06/06, 2-6 pm).
Participating galleries: Ballon Rouge Collective, Dépendance , Dvir , Harlan Levey Projects , Jan Mot , La Maison De Rendez-Vous, Meessen De Clercq, Stems Gallery , Super Dakota, Waldburger Wouters.
Caption: Andrea Büttner, Phone Etching, 2015, etching, framed, 212 x 113 cm (paper), 218 x 118,5 x 5 cm (frame), unique.
On December 2nd at 8pm Andrea Büttner and Mason Leaver-Yap (KW Berlin) will have an online conversation on Büttner's newly published book Shame (Koening Books, 2020).
From shaming and shamefulness to shame-avoidance and shamelessness, the experience of shame influences our social behaviours, decision-making abilities, and desires. Shame determines what we show and what we hide. And yet, as an emotion that begs for its own concealment, what is the structure and appearance of shame? How does shame interact with the realm of the visible, and where does it surface in visual culture?
Registration required via email@example.com.