Please note: Due to the new lockdown measures in Belgium, the gallery will be closed till 30 November and we work remotely. Please don't hesitate to contact us at email@example.com or +32 2 514 10 10.
In celebration of the new book Seth Siegelaub. Better Read than Dead: Writings and Interviews 1964–2013, the Kunstverein in Amsterdam transforms part of its space into Seth’s Books Bookshop and for the coming month will be selling books exclusively by International General (the imprint of Seth Siegelaub) and about Seth Siegelaub.
Tris Vonna-Michell participates in Solitude, an initiative of the Frans Masereel Centrum that commissions six new artistic projects, based on an alternative politics of experiencing art. Deliberately offline, each individual project offers an inspiring context to rethink the connection between art, the bodily and the social, and our mental faculties. Learning from the first half of 2020, and acknowledging our insatiable intellectual hunger, six artists are invited to develop a new work, which people can acquire physically and experience at home – as opposite to from home. In doing so, Solitude strengthens existing artistic practices that ask themselves where to for art, while providing at the same time multiple opportunities to cope with the enduring (self)confinement, without flattening out art. What space is left if seclusion – whether or not chosen by ourselves – is the only option? Other participating artists are Andrea Éva Győri, Taus Makhacheva, Amy Sillman, Nora Turato and Patrick Van Caeckenbergh.
The gallery became member of the Gallery Climate Coalition (GCC). The GCC is a non-profit organisation founded by a voluntary group of London-based gallerists and professionals working in the arts as an attempt to develop a meaningful and industry-specific response to the growing climate crisis and to facilitate a greener and more sustainable commercial art world. The aim is to provide guidelines and the necessary resources so that we can collectively reduce our carbon footprint by 50% over the next ten years (in line with the Paris agreement), as well as promoting near zero-waste practices.
The book Joachim Koester. Bringing Something Back (2019) was awarded the Årets vakreste Bøker / The Year’s Most Beautiful Books of 2020 by Grafill, the Norwegian Organisation For Visual Communication.
The book which was produced on the occasion of Joachim Koester's solo exhibitions at the Camden Arts Center and Bergen Kunsthall centres on a series of “meditation tapes”. The “tapes” explored the various twilight zones between waking and sleeping, and what can be brought back from such semi-darkened mental states in an exhibition context.
A visual essay, compiled by art historian, writer and curator Yann Chateigné, runs through the book and combines Koester’s own works with a selection of archival pictures that visually extends the discourse of the “tapes”, texts and artworks. Furthermore it features an interview with an interview between Yann Chateigné and Joachim Koester.
Authors: Yann Chateigné, Joachim Koester, Jelena Martinovic, David Toop
Editors: Mai Lahn-Johannessen, Steinar Sekkingstad
Design: Petri Henriksson / Blank Blank
Publisher: Walther Koenig
Softback, 166 pages, illustrated in colour and b&w, 200mm x 125mm
As a consequence of the new lockdown measures in Belgium, the gallery will be closed from 2 November till 14 December. Today you can still visit the exhibition 'A buoy if not a beacon' with works by Francis Alÿs, Giovanni Anselmo and Latifa Echakhch.
The exhibition will be extended till 16 January.
Sandlines, the story of history directed by Francis Alÿs has been selected for the International Competition of the 7th Porto/Post/Doc: Film & Media Festival, that will take place from November 20th to 29th, 2020.
We are pleased to welcome you on our new gallery website, which is designed by Marc Hollenstein and programmed by web3000.net.
David Lamelas' site specific installation Corner Piece (1966) will be presented as part of the show Collection 1940s–1970s at MoMA New York starting on October 24th. The work will be on view for approximately three years. (Image: Corner Piece at Jan Mot, 2006)
Saturday, October 3, 2020, from 7pm to 2am, Nuit Blanche is organised by the city of Paris, a contemporary creation in all its forms in public spaces, prestigious monuments and buildings that are little known or inaccessible in normal times. On this occasion, Dominique Gonzalez-Foerster will take over the peristyle of the Palais Galliera with a sound installation entitled Promenade. The installation invades the peristyle of the Palais Galliera and offers the spectator a very special immersion, in a sound jungle, under a tropical rain. This ephemeral work is part of the Nuit Blanche's Right Bank journey that weaves its way from the Petit Palais - Musée des Beaux-Arts de la Ville de Paris to the Musée d'Art Moderne de Paris, crossing the sound limbo, virtual wasps and temples of love in the gardens of the Champs-Élysées or New France, to the Palais Galliera and the esplanade and basin of the Palais de Tokyo.
The newly published book Seth Siegelaub. Better Read than Dead. Writings and Interviews 1964-2013 gathers selected writings, interviews, extended bibliography and chronology filling the historical gaps in the sprawling network of exhibitions, publications, projects, and collections that constitute Seth Siegelaub’s life’s work. Siegelaub chose the title Better Read than Dead for an anthology of his own writings — one of the projects for which he never found the time. The book was edited by Marja Bloem, Lauren van Haaften-Schick, Sara Martinetti and Jo Melvin and published by Koenig Books, London and Stichting Egress Foundation Amsterdam.
Coming Soon is a fast-paced compilation of the closing seconds of film trailers. It is a familiar final visual in trailers when the alluding, though vague, words ‘coming soon’ are blasted across cinema screens. Bismuth’s compilation is made up of motion pictures by many of the large American film studios and production companies, discernable by the logos that accompany the phrase. Where it is possible to decipher what film is being referred to they are all major motion pictures released around 2002-03, including Johnny English, the original Jackass: The Movie, and the only ‘coming soon’ that is accompanied by moving image; Secretary with Maggie Gyllenhaal.
Multiple works by David Lamelas selected by Adam Szymczyk are included in the program of the 22nd edition of experimental film and video festival Videoex 2020 in Zürich. On Friday 18/09 at 7:30 pm: Argentina II: Time as Activity - David Lamelas and on Sunday 20/09 at 4 pm: Argentina III: Movies and Television: David Lamelas and at 5:45 pm: Argentina IV: In Our Time - David Lamelas.
Johannes Vermeer Award 2020 goes to Rineke Dijkstra
The Johannes Vermeer Award 2020, the Dutch state prize for the arts, is awarded to photographer Rineke Dijkstra by Ingrid van Engelshoven, Minister of Education, Culture and Science.
The Johannes Vermeer Award consists of the sum of 100,000 euros, which the winner may use to fund a special project in his or her specific field. The Dutch government established the award in 2009, its aim being to honour and encourage exceptional artistic talent. The award is intended for artists working in the Netherlands and across all disciplines. Previous laureates are opera director Pierre Audi, filmmaker and writer Alex van Warmerdam, photographer Erwin Olaf, visual artist Marlene Dumas, architect Rem Koolhaas, graphic designer Irma Boom, composer and director Michel van der Aa, film director visual artist Steve McQueen, fashion designer Iris van Herpen, and violinist Janine Jansen.
photo © Dana Lixenberg
The gallery participates in the upcoming edition of Brussels Gallery Weekend and will be open on Thursday 03/09 from 11 am till 9pm; and from Friday 04/09 till Sunday 06/09 from 11 am till 7pm.
Curator Hilde Teerlinck and Francis Alÿs are selected to represent Flanders within the Belgian Pavilion for the 2022 edition of La Biennale di Venezia.
“Do We Live Because We Narrate?”, developed by Hilde Teerlinck and Francis Alÿs for the Belgian Pavilion will question the role of the artist and the relevance of art in situations of conflict and crisis.
“It is not a case of war journalism, but a chronicle of the tactics of living developed when the systems social / economic / governmental / you name it – are not operative anymore, circumstances where you find a moment of creation, of need and of tension. It is a chronicle of the way in which people develop strategies of survival in and after a situation of conflict.”
Francis Alÿs, Beirut, March 2009