Works

Andrea Büttner
Erntender, 2021
woodcut on paper
unframed
203 x 115 cm
unique

Andrea Büttner
Erntende, 2021
woodcut on japanese paper
unframed
188 x 113 cm
unique

Andrea Büttner Karmel Dachau
Andrea Büttner Karmel Dachau
Andrea Büttner Karmel Dachau

Andrea Büttner
Karmel Dachau, 2019
HD video, color, sound (German with English subtitles)
32 minutes 25 seconds
edition of 6 and 1 A.P.
(film stills)

Andrea Büttner
Karmel Dachau, 2019
HD video, color, sound (German with English subtitles)
32 minutes 25 seconds
edition of 6 and 1 A.P.
(film still)

Andrea Büttner
Karmel Dachau, 2019
HD video, color, sound (German with English subtitles)
32 minutes 25 seconds
edition of 6 and 1 A.P.
(film still)

Andrea Büttner
Film, 2018
woodcut on paper
80 x 118 cm
edition of 10

Andrea Büttner
Untitled, 2019
pencil on paper, framed
71 x 79,5 cm, 74,5 x 82,8 cm
unique

Andrea Büttner Potatoe

Andrea Büttner
Potato, 2017
woodcut on paper
130 x 198 cm
edition of 5

Andrea Buttner Sois Tranquille

Andrea Büttner, Sois Tranquille, 2015, woodcut on paper, 143 x 212 cm, unique, installation view: Andrea Büttner, Manon de Boer, Jan Mot, 2018

Andrea Buttner Corners Jan Mot 2018

Andrea Büttner, Corners, 2017, woodcut on paper, 125 x 173 cm, unique, installation view: Andrea Büttner, Manon de Boer, Jan Mot, 2018

Andrea Buttner Ja at Jan Mot 2018

Andrea Büttner, Bench, 2012, backrest, handwoven fabric, wood, plastic crates, bench, 200 x 42 x 4 cm, 45,8 x 200 x 40 cm, unique, installation view: Andrea Büttner, Manon de Boer, Jan Mot, 2018

All images: © Andrea Büttner / VG Bild-Kunst

Biography

Andrea Büttner

Born 1972, Stuttgart (DE)
Lives and works in Berlin
Professor of Fine Art at the Kunsthochschule Kassel (DE)

Visit artist's website

View full biography

News

22/07/22

Johanniterkirche Feldkirch presents a solo exhibition by Andrea Büttner in partnership with Kunstmuseum Liechtenstein. It opens today, July 22 and it will be on view until September 23, 2022. Büttner’s work Shepherds and Kings (2017) consists of a double slide projection of 160 historical images, showing how shepherds and kings have been depicted in Nativity scenes throughout art history. This comparative presentation of Büttner’s assembled collection of historical images follows no particular chronology or style, engaging instead in an iconographic exploration of gestures and their implicit resonances with qualities of shame, vulnerability and dignity. (Image: © Andrea Büttner, Shepherds and Kings, 2017)