Current and Upcoming

Francis Alÿs
Sven Augustijnen
Pierre Bismuth
stanley brouwn
Manon de Boer
Rineke Dijkstra
Mario Garcia Torres
Dominique Gonzalez-Foerster
Joachim Koester
David Lamelas
Sharon Lockhart
Tino Sehgal
Philippe Thomas
Tris Vonna-Michell
Ian Wilson





Rineke Dijkstra
by Jan Mot, 2001

Last June, almost one year after the first shootings in Marseille, Rineke Dijkstra

temporarily finished her project of the French Foreign Legion at the Camp Raffalli in

Calvi (Corsica). The project resulted in a series of 5 large format portraits depicting the

psychological and, to a lesser degree also physical transformation of an 18 year old

legionnaire, called Olivier Silva, during his first year at the legion.


Olivier Silva was part of a group of 9 recrutes Rineke Dijkstra started to photograph on

July 21, 2000. During a first period which lasted till November 30, the artist decided

finally to focus on Silva. She photographed him at specific moments: the first time,

minutes after he had been accepted into the legion, then the same day just after

having received his military uniform and having had a hair cut. Follows poses after

heavy physical excercises or key moments in his formation. In June she returned to the

Legion, this time to the Second Regiment of Parachutists in Corsica to where Mr. Silva

was sent. All the selected portraits are 'en buste' and characterised by the neutral

background, the attention to the gaze and het zoveel mogelijk terugdringen van

vestimentaire details.


The work is a clear example of Dijkstra's interest in transitional moments in the lives of

young people. Its inscribed in the series of portraits of individuals realised over a longer

period of time: like the double portrait of Tia, the four portraits of Almerisa, over a

period of 7 years, and more recently photographs of female soldiers and teenagers in

Israel. Regarding Olivier Silva, Rineke Dijkstra has the intention to continue

photographing him once or twice a year.


This new work had been initiated and produced by the gallery with the help of the

Centre National des Arts Plastiques in France. With sincere thanks to the Foreign




Source: Gallery Newspaper 28: September-October 2001